3/17 Kilgen

Asbury Park Convention Hall

The Late Ashley Miller Plays the Convention Hall Kilgen


Asbury Park Looking North – Paramount Theatre, Left, Grand Arcade, Center,
Convention Hall, Right


Asbury Park Looking North Along the Boardwalk to the Theatre/Arcade/Convention Hall Complex


Asbury Park Looking North- Closeup of Grand Arcade Entrance


Looking North Inside the Asbury Park Grande Arcade – Convention Hall Entrance on Right

Asbury Park Convention Hall Interior-Stage at Right (Note Left Organ Chamber Grille Next to Stage).
When the center floor section is set up with seats, the capacity is 3600.

The Convention Hall Kilgen Pipe Organ

Asbury Park Convention Hall was originally designed with the intention of installing a large Wurlitzer for public performance. Architects Warren and Wetmore strategically placed massive grille work into the walls on either side of the hall's main stage as a façade for the organ chambers. The Great Depression forced the city to abandon the original idea of buying a Wurlitzer. After the closing of the Earl Carroll Theatre on Broadway in New York City in 1931, however, Asbury Park was able to purchase that theatre's 3/7 Kilgen Theatre Pipe Organ for Convention Hall. It had been built in 1929 by George Kilgen & Sons of St. Louis. Though considerably smaller than the Wurlitzer for which Convention Hall had been built, the Kilgen managed to sound much larger with the help of the hall's acoustics.

In the 1930s, Asbury Park created the position of municipal organist. The first, G. Howard Scott, would play free concerts to entertain visitors to the resort's boardwalk. WCAP would broadcast some of these concerts to its listeners from its studio at the hall. Jim Ryan took over in 1958, performing until the mid-1970s. The final municipal organist was Al Devivo, who performed from then until 1984, when the municipal concerts ceased.

Then Garden State Theatre Organ Society volunteers began refurbishing the instrument and added ten more ranks and a chrysoglott, resulting in an even fuller sound. The console - traditionally in a stationary position underneath the southernmost grille - was made mobile so as to allow performers to play the instrument closer to the audience. GSTOS Crew Chief Russ Sattur dedicated his life to the project, spending practically all his spare time weekends and weekdays, working on the organ. Crew member Jean Scibetta was there with him most of the time. She was responsible for making the umbilical cable that enabled the console to be relocated to the center of the hall for concerts. Since the organ was on a mechanical relay, there were hundreds of wires in that cable. Another person who spent quite a bit of time working on the crew was Bruce Conway.

The organ continued to be played intermittently from 1984 through the early 1990’s, most famously by composer and Radio City Music Hall organist Ashley Miller.

Organist Don Hansen played the Kilgen for the twice a year Convention Hall Gem & Mineral show in the late 1980’s early 1990’s. The show was an all day affair held in the Spring and the Fall by a gentleman who owned a shop in the town of Asbury Park. The show drew folks from far and wide and was quite popular and successful.

For 2 ½ years from approximately 1989 thru 1991, a Summer Concert Series was presented. The series started on the July 4 weekend with concerts being played weekly on Sunday afternoons until the Labor Day weekend. Some of the talented organists who played were Mike Britt, Ralph Ringstad, Jr., Don Hansen, Martin Boehling, Candi Carley-Roth, Wayne Zimmerman, Greg Owen, Ashley Miller and others. Ashley usually played the "Grand Finale" concert on Labor Day weekend. Initially, these events drew perhaps 30 people, but by the time the series ended it was drawing a couple of hundred. There are several retirement apartment houses in the area, and the tenants started making an afternoon of the concert and then a meal at the now closed Howard Johnson restaurant just outside the convention hall building. They were described by one of the artists as a great audience to play for.

At the beginning of one of the Summer Concert seasons there was a horrific storm on the Thursday before the first concert. It blew a hole in the back of the roof of the building and the water found its way down two floors and into the main chamber. Virtually every person in GSTOS that had any kind of technical ability descended on the hall to help Russ get the organ playing, and the Sunday concert went off with Mike Britt at the console and only a few ciphers. The damage caused plaster particles to jam open most of the pipe valves, and thus the main chamber needs a total rebuild. After two or three concerts into the third season, the hall was closed down for asbestos violations and abatement. It is believed that the organ was never played after that.  With the fate of the hall left in limbo by Asbury Park's long-delayed redevelopment plans, further access to the instrument was denied and it has lain dormant for most of the 2000s.

While the hall was closed for renovations, miscreants broke in and tried to steal the huge speakers that were installed on either side of the proscenium arch. The console of the organ had a light plywood cover that protected when not in use. The thieves tried to stand on the cover to reach the speakers, and the cover collapsed doing considerable damage to the left side of the console making it unusable.

After Russ Sattur’s death, GSTOS was last involved with the organ in 2001 with new crew members working on refurbishing and refinishing the badly damaged console (not completed). The numerous management changes at Convention Hall, combined with limited GSTOS crew members available, and a key member of the new organ crew being incapacitated for months, resulted in GSTOS losing touch. With the water damage in the main chamber and the console dismantled, the Kilgen is currently unplayable.

Chamber Layout (From a chamber survey 7/14/00 performed by Paul Jacyk)

(The original Kilgen Ranks from the Earl Carroll Theatre had the opus number stamped on the chests)



Vox Humana I (8') - Original Kilgen
Salicional * (4')
Viol Celeste II * (4')
Open Diapason/Diaphone (16') - (Diaphone - Kimball Arcadia Th. Wilmington DE 1921)
Tibia Clausa I (16') - Original Kilgen
Kinura (8') - Original Kilgen
Flugel Horn (8')
Trumpet (8')
English Post Horn (8') - Trivo

Glockenspiel/Orchestra Bells - Original Kilgen
Xylophone - Original Kilgen
Marimba - Original Kilgen
Salicional/VC II are off same magnets

Vox Humana II (8')
Viol D' Orchestre (8') - Original Kilgen
Viol Celeste I (4')
Flute/Bourdon (16') - Original Kilgen
Diapason (8')
Tibia Clausa II (4')
Tuba I (16') - Original Kilgen
Tuba II (8') Voicer David Arthur 10" - Original Kilgen


In storage:
16' wooden string (CCC - CC)

Key: Original Kilgen = Red; GSTOS Added & Owned = Green

The Diaphone is from a 1921 3/15 Kimball in the Arcadia Theatre (510 N. Market Street Wilmington, DE) which seated 1305. The Arcadia was listed all during the 1920's, up until the 1960's in Film Daily Yearbooks.

The Organ As Installed at Convention Hall in 1931

The Kilgen came from the Earl Carroll Theatre (Broadway), New York as a
3/6 Kilgen Wonder Organ, 1929, Opus 4258 Style U016X
(A 1926 Kilgen list price sheet listed the price as $23,400.00)

In 1931 other Kilgen additions were made as part of the reinstallation at Asbury Park
Convention Hall.











Swell shades






Rebuild Relay

 The Six Ranks, Tuned Percussions, Traps and Toys That Came from the Earl Carroll Theatre:

16' Flute 1-24, #1 pedal bourdon scale; 25-97, #1 melodia scale
16' Tuba 1-12, 10" scale; 13-85
8' String 1-85, 65 scale
8' Tibia Clausa 1-73, #2 scale
8' Vox Humana 1-73, regular scale
8' Kinura 1-61

37 note Marimba
37 note Xylophone
5 chimes
tom tom
sleigh bells

37 note glockenspiel/orchestra bells
pedal and accompaniment traps

Console has 2nd touch

GSTOS Crew Members Disassemble the Kilgen Console


Photos of July, 2001 Console Refinishing

A great view from the organ workroom !!!

Stripping 5 layers of old paint off of console panels.

A few GSTOS members working on the organ.

Surprise ! Beautiful wood under the paint.